Meaghan Duffy
10/10/14
English Composition
Dr. Adam Johns
The
Fiction in Non-Fiction
I awake suddenly to a series of
crackles followed by a loud thump. I
wipe my tired eyes and force them open to see nothing but a dusty haze
surrounding me at all angles. I slowly
roll over on my stomach to face where Abbey had been camped out for the night,
slightly nervous to find out his state of being.
It has been exactly two weeks since
Abbey got the news of his relocation, and he has not yet come out of the lethargic
comatose state that it had put him in.
At the beginning of fall when dusk and dawn were a little cooler than
usual and the wind began to pick up speed, an orange rusted Ford pick-up truck
unexpectedly approached Abbey’s trailer delivering a sealed mustard yellow
envelope with a rather thick stack of papers inside. Upon opening, Abbey learned that he was going
to be relocated to Yosemite National Park, California in exactly a month from
the day due to a severe, “lack of tourism,” in Arches which made his position,
“unnecessary,” and a waste of, “government funds.” Arches National Park was to be renovated,
adding more accessible roads and convenient parking lots throughout, to make
the area more accessible and travels easier and more convenient for families.
Abbey refused to do his duty rounds
around the park for an entire week and neglected to acknowledge any visitors
who requested entry into his trailer.
Out of nowhere, after not speaking to Abbey for several years since he
began his quest of solitaire and personal rebirth separate from human
dependence, I received a call from him asking me to join him out in the park; I
reluctantly accepted.
“Abbey,” I yelled over the noise of
the bulldozers and cranes directing themselves through the seemingly empty
desert. His flashlight, water bottle, harness, boots and jacket were exactly
where they were left last night, but his person was missing. He says he hates it all, all the manmade
gadgets, yet he can’t live a simple life out in the desert without them; it’s
unnatural and foreign to humankind and he’s no exception.[1]
“God damn it!” I flinched as I
heard his deranged tone screech from practically right behind my ear. I flung around now in a seated position to
see Abbey hunched over the twisted juniper tree trunk, which I was under. His face was pale and longer than usual; his
breath sounds were loud and more frequent than normal.
“What’s going on,” I asked
confused, partially because I was still half asleep and partly because I could
barely see past the thick clouds of debris filling my airways and clogging my
pores. My question was one that Abbey
could rant on about for years. He could
talk about how humans ruined everything.
He could be controversial or hypocritical, narrow or broad-minded, but no
matter how many words left his mouth it wouldn’t change anything because our
fate was inevitable; that’s at least how I saw it.
“The elitist corporate men are
beginning the renovations! They’re
starting by butchering the junipers to create a parking lot for the spoiled
tourists incase they want to park and walk for a little while instead of
driving the whole way through in their gas-guzzling box cars. They think they’re fixing all the problems
and attracting tourists by adding roads, detours, parking lots and eye catching
sites for the visitors to drool over, but in reality all they are doing is
destroying the natural beauties of the park which were created way before man, and
were meant to remain as such. Every
living and nonliving inhabitant of this desert will be gone, but I’m sure the
ignorant tourists won’t know the difference…” Abbey ranted on, barely getting
out a word before beginning the next. As
Abbey frantically spoke slightly raising his voice simultaneously, I could see
everything he was slowly draining from his body. He was just as the Juniper trees were,
living but lifeless.[2]
I sat in silence twiddling my
finger for what felt like days, I knew this was coming, but I didn’t know it
was going to be this soon. I knew I shouldn’t
waste my breath on useless words that wouldn’t stop the machines from running
and the men behind the machines from doing their jobs to pay the bills. Abbey began to sob, tears rushing down his
face, watering the soil just above the roots of the juniper.
“You need to stop that,” I mumbled
under my breath almost angry with how poorly Abbey dealt with his emotions. Abbey was a dramatized persona.[3] He wanted everyone to see him as the
motivated environmentalist who fought for the rights of the land and the
meaning of the natural world, but in reality Abbey was a complainer, a talker
who lacked the ability and mental strength to take action.
“We can’t change their minds
Grant,” Abbey whispered, his tone of voice indicating how defeated he really
was.
“Ironical anarchy,” I dragged out
every last letter hoping that it would make my words resonate within Abbey before
he formulated an underdeveloped comeback in his highly entitled mind.[4]
Throughout my entire trip here, he
has talked my ear off about the cowards of this world who refuse to break out
of their sheltered bubbles and structured societal roles, yet the very second
he has a possible chance to change the fate of the place he considers home, he collapses
to a sob instead of taking action.
“Im not…I’m…. I just want to belong
in nature. I strive to feel kindred with
the trees, the snakes, the standing rocks.
I need the rest of my kind to understand me, understand the message that
I am trying to send. Humans need to
leave their sheltered bubbles, crawl out of their homes and cars to explore and
realize that out there is a world much more dynamic and greater than
ourselves.”[5] I was expecting Abbey to rise in rage,
denying all my accusations of him being a revolutionary that doesn’t want to
fight, but he didn’t. He instead sat
defeated, striving to explain to me his views and aspirations that he had
ultimately deemed unachievable based on the negative stigma surrounding
mankind.
“You’re angry, and you’re throwing
it in too many directions to make sense!” I screamed surprising both him and
myself. Aggression wasn’t my intent, but
his hypocritical attitude had plagued my being for six full days, and I needed
to voice my resentment. He had knocked
mankind for so long I was beginning to question if he could even stand being
around me, his first childhood friend, anymore.
“Saving a dozen trees in a national
park in Utah really means nothing in the grand scheme of things, right? My true goal is unreachable, unachievable!
It’s like trying to count all the stars in the sky while standing on the earth,
impossible. There are billions of people
in this world; nothing I say will change a single thing. You can’t just decivilize a highly civilized
society, stripping it of all the things that keep it grounded and relevant and
expect everything to be okay.” He spoke
on as if he ignored everything I said prior.
His eyes were glassy and dilated indicating that he was in another
world.
“Maybe you’re right,” I said, knowing
that he would never belong, never understand the logic of the rest of his
kind.
Abbey,
Edward. Desert Solitaire; a Season in the Wilderness. New York:
McGraw-Hill, 1968. Print.
Pozza,
David. Bedrock and paradox: the literary landscape of Edward Abbey. Peter Lang
Publishing. 2006.
[1]
Reference to page 13 of Desert Solitaire.
Abbey criticizes human dependence on technological gadgets, but he himself
feels helpless without them as indicated by his fishing trip on page 153.
[3]
Page 17 of Bedrock and Paradox:
description of Abbey and his character (directly quoted).
[4]
Page 17 of Bedrock and Paradox:
description of Abbey and his character (directly quoted).
[5]
Reference to pages 37 and 51 of Desert
Soltiaire where Abbey criticizes all humans for not leaving their comfort
zones and exploring a world that is bigger and better than all of us. Reference to page 34 where Abbey shows how badly he wants to belong with nature.
“He could be controversial or hypocritical, narrow or broad-minded, but no matter how many words left his mouth it wouldn’t change anything because our fate was inevitable; that’s at least how I saw it. “ -- As I began, I both enjoyed your work and wondered what you were up to. I like the direction, but wonder if this is just a throw-away line (about inevitability) or if it’s something you seriously want to explore. What you’re doing with the juniper trees also certainly has potential. Your citations are interesting. This reads, tentatively, like an attack upon Abbey. That’s not a problem, except that maybe it’s an underdeveloped attack: this accusation about passivity or uselessness or inevitability needs sustained attention to work well. The accusation itself is interesting but also problematic (keep in mind that he was more or less responsible for an ecoterrorist movement, not to mention the national park service implemented some of his ideas).
ReplyDeleteOverall: I think your research was good, but perhaps the way you used it was too subtle. You pick interesting quotes and use them at interesting moments, but I think they demanded at least a little more interpretation than you gave them - you can’t just leave complex ideas hanging! Having a paragraph or so of text in each footnote would have helped tremendously. At the end of the day, I think this piece was much too short. I talked some about how page counts almost inevitably need to be longer in creative pieces than in straightforward essays, and that’s certainly the case here. You still are responsible for articulating your ideas - you’re just doing them through characters and situations. What happens here is that you develop a good scene, and your general claim about Abbey is reasonably clear, but the vital heart of the argument - why you think we should agree with your reading - hasn’t been developed.