Jonathan Hranek
Dr. Adam Johns
English Composition 0200
15 October 2014
On the Definition of Nature
Laura
Ingalls Wilder’s By the Shores of Silver
Lake details a very realistic view of life in 1879 and the turning of the
decade. This accurate representation provides an insight into what nature
should be defined as. Although corrupted and destroyed by humanity, nature is
serene and unpredictable; the ways in which people view nature can affect their
perception of how corrupted it has become, through their own fault or otherwise.
These outlooks on nature are what drive the characters’ actions throughout the
stories.
Wilder demonstrates
the beauty of the natural surroundings of the Ingalls in every depiction of the
landscape, whether it is through her omniscient tone, or from Laura’s point of view
while seeing for her blind sister. The author uses the scenery to show how Pa
feels entitled to claim a homestead for his family in the newfound western
America. He, like many other hopeful families, push further into the western frontier,
and drive out wildlife from the increasingly populated areas. Pa is corrupted
by his desire to start a new and better life out west, and does not stop to think
about what problems are wrought upon the animals that he, along with all the
other families, displace. He believes that he is entitled to own the land that he
chooses without consequences whatsoever. Wilder uses this point to touch upon the ways
in which humanity, represented by Pa, can corrupt the innately innocent nature.
This is seen when the author demonstrates the unpredictability of nature because
two girls Carrie and Laura come in contact with a wolf. It is later discovered
that this wolf had been driven out of its previous home because of the rapid growth
of local human populations. Although the wolf poses no danger to the children Pa
cannot help but to let his preconceived notions about nature cloud his judgment,
and so he sets out to hunt the innocent wolf against the wishes of his family. Laura
says, “I hope you don’t find the wolf, Pa … because he didn’t chase us” (Wilder
168). While Pa looks for a homestead for himself and his family, he inadvertently
drives the natural inhabitants from their homes. It is not a surprise,
therefore, that the wolf returns. This is greatly important because it shows
how humanity’s own selfish desires can affect nature, along with its offering different
insights to the views of diverse characters and their tales.
Edward
Abbey also shows the serenity and unpredictability of nature through his story Desert Solitaire. This is seen during
his long descriptions of the landscape, such as in “Rocks”, or when he decides
to perform an experiment with a cottontail rabbit. He argues mercilessly, “A
sportsman is one who gives his quarry a chance to escape with its life. This is
known as fair play … animals have no sense of sportsmanship” (Abbey 33). His
own corruption is what drives him to go against everything he stands for as a park
ranger, and so he is given a purpose to kill the rabbit and aid in the destruction
of his cherished environment.
Abbey also
shows his ability to recognize the societal corruption and destruction of nature,
not just that of his own. During the Industrial Tourism, he believes that
nature is being destroyed through the lack of appreciation and destroyed by the
physical construction of roads and man-made trails through the park. “Industrial
Tourism is a threat to the national parks. But the chief victims of the system
are the motorized tourists. They are being robbed and robbing themselves”
(Abbey 51). The tourists are being robbed of the chance to experience nature in
the most peaceful times, and that is when Abbey feels that nature loses its
value. Because the author regards the environment with an almost reverential respect,
attempts to lose himself in nature in order to find himself again, therefore diminishing
his being corrupt.
People’s
views and preconceptions about nature only allow the environment to become
corrupted or destroyed on an individual and societal level. By defining nature
as serene and unpredictable, but also able to be tarnished and damaged, the
essence of nature is captured. As a single idea, nature is anything but
corrupted; it is the corruption of people that leads to the destruction of nature.
Works Cited
Abbey, Edward. Desert Solitaire: A
Season in the Wilderness. New York: McGraw, 1968. Print.
Wilder, Laura Ingalls. By the Shores of Silver Lake.
New York: Harper & Bros., 1953. Print.
Overall, I think your definition of nature is nicely portrayed in your writing. Your analysis of By the Shores of Silver Lake is well thought out and nicely described. Although you do incorporate Abbey and touch upon his views, you were very vague, and that paragraph lacked justifiable description. When talking about the serenity and unpredictability of nature using the example of Abbey killing the rabbit, I think you rushed the analysis and could have described your thoughts with a little more detail. Although not a big issue, I think you could have cut out your last paragraph and added that analysis to your other paragraphs instead of adding a formal conclusion.
ReplyDeleteI’d have liked to see a slightly clearer thesis - you’re arguably trying to say too much in the first paragraph. Saying too much is at least as problematic as saying too little, especially in an introduction.
ReplyDelete“While Pa looks for a homestead for himself and his family, he inadvertently drives the natural inhabitants from their homes. It is not a surprise, therefore, that the wolf returns.” -- I think he *advertently* drives natural inhabitants away. It’s not an accident! More importantly, I think you believe that Pa is corrupt, or represents corruption. I’m fine with that argument, but you at this point you are just asserting it - you’re not arguing it through details.
In what sense is Abbey corrupt? Normally when something is corrupt, it has fallen from a previous, higher state. Is this the case with Abbey? I don’t think your idea is bad, but it is in need of being pinned down a little.
Your conclusion bothers me, not because I disagree with it but because your ground shifts. Sometimes you are arguing that people have corrupted nature; sometimes you are arguing that the corruption of humanity has destroyed nature. Those two aren’t quite the same thing, and they’re both pretty big claims. I think if you’d clarified your thesis, really explaining what you mean by corruption, and how/why you define nature in terms of corruption, you could have cut down on some of the unnecessary material and really focused on the relevant details. The most challenging and interesting idea here is that Pa represents corruption, and (presumably) his style of corruption defines our relationship with nature. It’s a line of thought worth pursuing, but you really aren’t sufficiently focused on this most interesting material.